Writing

The Impact Of Intent

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I’m enjoying a local bar the way I like it- nearly empty, quiet but for the band in the next room that I’ll shortly go in to support, and just me and the bartender discussing books. They have to bus tables, I need to write and wait for my food order. It’s a genial end to the conversation.

Leikam Brewing is Jewish woman-owned brewery in Southeast Portland that embodies what I want to be myself- unapologetically and openly itself and also a hub of its community. It’s a Jewish space that’s not just for Jews. If you’re part of the community, you don’t need to be part of the Tribe.

I’ve knocked back two beers over the course of my conversation with the bartender about the virtues and flaws of various fantasy series. One was a French Toast-inspired ale called “Ain’t No Challah-Back Girl” and the other a stout called “Mob Barley.” If it’s not Jewish puns, it’s music- or both- and I’m not mad about it. Going here tonight felt needed, and not just because I knew a particularly good skewer truck was going to be selling their wares and I have an unhealthy need for their black sesame flatbread with roasted garlic toum spread.

The first month of 2026 in the US was not fantastic. An activist mother of three, Renee Good, was murdered- shot three times at point blank range- by an agent of the state who proceeded to brag about it, and the government unabashedly bullshit the public about how the woman was a “domestic terrorist” and “tried to run/ran the agent over” when their own camera shows otherwise. They did it again to a VA nurse- Alex Pretti- whose last words were “Are you okay?” to a woman these same agents had just pepper-sprayed and pushed to the pavement.

While still processing this, I got treated to reports of leftists- the guys meant to oppose this kind of fascist, Big Brother crap- lined up outside at New York synagogue chanting about how much they love Hamas. Later, I’d see tweets asking if the VA nurse was a Zionist, and I’ve grown too used to them showing up to every protest or event with their flags and keffiyehs yelling “collective liberation!” as they attempt to hijack someone else’s efforts to organize.

After over two years of feeling chased out of leftist spaces by these ignorant shmucks who are- at best- useful idiots parroting slogans, I think I’m well within my moral rights to wish a plague on both their houses, wait for both parties to beat the tar out of each other, and rebuild better once they’ve burned each other out.

It can never be that simple though. The fact that it goes against every bone in my body to look at people suffering and say “not my problem” is only part of it. It’s that I once again get to watch my identity be made convenient.

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The Temple

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My idea of a “fancy night out” wasn’t entirely determined by period movies. A good chunk was my parents.

Growing up, my parents would occasionally fancy themselves up for special occasions and go out. My older sister was left in charge, $60 was left in the foyer for Dinos (or Michelli’s if we want pizza that night instead of subs) and my parents would head out. My father actually owned a tuxedo and one of my clearest memories of those times was my dad in a matching cummerbund and bowtie, with a chained ribbon around his neck and a smaller version on my mom’s.

As I got older and I ingested more media, visions of what one actually did in a tux and pearls clarified beyond “go off and leave me with my sisters.” Images of Thomas and Martha Wayne getting dolled up for the movies seemed old fashioned because that’s common and casual these days. Going to a concert also didn’t feel appropriate because I’d been to or seen rock and folk concerts. If there was a tuxedo in that crowd, it had to have been either a prank or a prop.

The opera or symphony, however… THAT felt like the kind of thing you dressed up for. The period pieces were definitely old-timey, but the buildings still exist and walking into one makes you feel like you ought to dress the part.

A photo of a music hall, taken looking down at the stage from the very back, highest row.
The Arlene Schnitzer Concert Hall
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A New Project on the Craft of Living

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After a rainy day and almost too much walking around in it, it seems the last wayward drops are making their way off the trees and onto the patio.

The week at the winery ended, for me at least, in one of those “what the fuck happened,” twelve-hour shifts that you can’t quite put your finger on where the day went or where it clearly all went wrong, but the only thing for it is embracing the suck, powering through, and getting to a point where you can leave the kitchen for a couple days without fear anything will irreparably explode.

I dragged my ass home, pausing to hit up one of my favorite beer stores along the way. The fact that I then dropped all three can of dark beer on the pavement- one rolling under the car, leading me to kneel down in the dark in a black hoodie, waiting for some impatient shmuck to flatten me before I realized it had rolled all the way under to the curb- confirmed that the day was Seriously and Entirely Fucked, and I needed to get myself home and out of work attire before something else happened.

Emily, absolute princess that she is, greeted me when I came home and told me to just get comfy. I stripped off my jeans and long sleeve undershirt, having already deposited my aprons and jacket for the laundry I’d do later. After a little downtime, some brainrot internet cartoons, and a little of my latest whiskey acquisition, I was feeling something like human again.

I’m in the middle of outlining a second manuscript (yes, while the mentorship book is still very overdue on my own schedule. It’ll get there, this is important too, trust me.) This one is the first book I’ve really tried to write with another person- and what’s more, it’s my father.

Dad was already a doctor here. I was still trying to figure out what the hell I was. Both of us had mud in our boots and wet socks.
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The Inhale

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A chilly night, but not as chilly as it will eventually be. I’ve decided a thin-but-thermal cotton hoodie, t-shirt, and sudra will do as I get out to unwind on my Saturday. I’m at the Beer Bus, of course- I felt the need to gently socialize, and the bartender on weekends is a cool guy, but we don’t know each other quite well enough to chit-chat. I’ll bother him for a beer, do a little small talk, then I know he’ll go into his own world and chat with more regular customers while I do my thing. I get to just observe, drink some good beer, and write a bit.

A place that takes care to curate their beer offerings is worth hanging around…
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Shadows of Loss

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Portland is full of tannin shadows, and so are we.

It’s one of those things that you see, appreciate, but don’t know the actual word for until the memory tickles you enough to do a conversational, unspecific Google search. “What is it called when fallen leaves leave imprints on the sidewalk before they are cleared away?” The unsought-for “AI Summary” regurgitated the fact that there was no specific term, or that the term depended on whether they fell on set concrete and left an imprint or if it was set and left a stain from rotting.

As it was, the summary’s “scientific cause” description was adroit and perfect, because I am a sentimental nerd. Tannins are the compounds in leaves that, when they are wet, can leech out into the porous concrete and leave a “shadow” before the leaf itself is swept or blown away. Wine and tea snobs will also appreciate that tannins are the compounds that make their beverage of choice “dry” and crinkle the sides of the tongue, and cause the stains in a teacup. Equally poetic is the fact that consuming tannins too regularly or in high enough concentrations can cause anemia as they prevent the uptake of nutrients and minerals like iron.

For our autumnal purposes, however, “tannin shadow” is perfect because it’s the impact of a loss, left in bitterness. Fall in Portland is rainy and blustery, calling everyone to get cozy and reflect on the year, and the tannin shadows aren’t just on the sidewalk. Sitting in my sweaters and scarves, looking into my dark beers and whiskeys, and staring at patterns in pipe smoke on the back porch, I can’t help but acknowledge the legacies of losses.

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