“The World Has Enough of Us”- Why Not Everything You Love Needs To Be Monetized

I started making mead 9 years ago with a single jug, a beer fridge, and a jar of honey. It looked like a simple, fun, low-effort way to do science and get “free” booze out of it. It was a single gallon batch that I got ratio for from The Art of Fermentation. After about two weeks, I took a sip of my first mead- wildflower honey infused with some cinnamon sticks and a single split vanilla bean. It was cloyingly sweet but obviously had fermented slightly, so it was a win in my book.

The success of making a fizzy, slightly-alcoholic-but-drinkable beverage led to a years-long hobby. I’ve shared with friends, experimented, collected more books and (slightly) better equipment, and even won an award at the Oregon State Fair.

(To be clear, that award was a silver medal in a single subcategory. I came in second out of two entries in the “experimental” mead subgroup.)

A few weeks ago, I bottled my latest mead.

It was a version of one of my first metheglins (a.k.a. Mead with spices), but this time I wanted to Do It Properly. It wasn’t a “shake and pray” wild ferment. I’d made a 4 gallon batch using locally sourced honeys. I wrote down my sources, my water temperatures, the sources and amounts of the spices I used, and I used campden tablets and real cultured mead yeast to Make It Right. I didn’t know what “gravity” was for that first jug way back when. For this one, I factored time and temperature into recording the changes in gravity over five months.

The result was a spicy, warming mead that drank like a dry white wine. By any measure, it is my best mead yet- and I will never sell it to anyone. That’s because unlike baking and now writing, home brewing is something I want to keep mine.

“The Besamim Box”- A 12.7% ABV spice mead that drinks like a dry white wine. Made by me over five months, and absolutely NOT for sale.

The drive to Capitalize and Monetize everything we enjoy or may do well is thee double-edged sword of Damocles hanging over everyone’s head today. As soon as we realize we enjoy or have a knack for something, one of the first questions we are asked (or ask ourselves) is “how can I make money off of this?”

Why? Why is simply enjoying ourselves from the start not reason enough?

I remember the first time I realized I enjoyed making origami paper figures and that they made others happy. Within a day, I had set up a little table and chair on my nearly-empty sidewalk with a stack of square paper, trying to sell origami figures.

It wasn’t enough to just make me happy. Something told me I had to make it worthwhile- and that meant it had to make money. I dare anyone to tell me that my goofy 10 year old ass could have made a career out of selling origami figures on the sidewalk in Margate. At least the hobos selling wire-wrapped stones and pendants in Portland buy their own materials.

Baking and writing also make me happy, but I long ago decided I was willing to try making careers out of them. It’s either the best or worst thing you can do with a hobby you love. Often it’s both. I still love baking and creating in the kitchen, but when shit hits the fan and I need to stare down the barrel of a 60 hour week because all these pies need to be made, baking stops being a fun activity really damned quick.

It’s the same thing with writing. As much as I love writing, telling stories, and introducing people to worlds and ideas they may never have considered otherwise, when I’m not feeling it it is 1000% work.

For sources, look at roughly a third of this blog.

Meadmaking, though, is one hobby I insist on keeping a hobby. I may barter a bottle or two, but I will never sell it. I will never start a meadery (except as a joke. I’m on Untappd as “Le Chapeau Noir Meadery”) or go into the brewing business. No matter how good I might be or awards I might get.

Why? Because it’s mine.

We all need things at only have meaning to us that no one else cares about. The little things, activities, and moments that make us happy. We are absolutely inextricably connected and intertwined with each other, but we also need opportunities to explore and be ourselves. To understand ourselves a s a community of one.

For me, that means connecting with local beekeepers and honey vendors, finding new varieties, and bringing them mead made from their honey. It means giving bottles to friends as a gift, or just chilling down a bottle for my wife and I to enjoy on a summer night.

Mead is a thing I make that’s just for me to enjoy with those I love. No one and nothing else need interfere. There is no sin or failing in this- no “loss of potential” or waste simply because I’m not attaching a price tag to the result. The world has enough of us for so much of our waking lives- we can have some of ourselves TO ourselves.

What’s something you do that you refuse to monetize or share beyond yourself and choice others? Tell us about it in the comments!

Stay Classy,

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“No Man is an Island”- An Introvert Outs Himself as a Social Butterfly

If anyone had asked me before I became a writer, I would have immediately marked myself as an introvert. I liked my quiet time, being alone, and going inside my own head.

I still do, for the record. I am definitely have an introverted streak and I like to refer to myself as “running out of people minutes” or having “peopled too much” when I’m ready to go off somewhere for a little peace and quiet.

Then I started writing in restaurants, learned that the best stories come from listening and talking to other people, and now I feel bad if I don’t socialize at least a bit every day.

Humans are a social species. We are not built for complete isolation. Enjoying being alone is one thing… but no human is meant to be lonely.

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Don’t Work Toward What You Don’t Want

I try not to miss weeks in writing this blog. If I am an Actual Professional Writer©, then that means showing up when I agree I will, putting out the words I’ve decided I will, and not making excuses about it. I think it was Ursula K. LeGuin who said she knew was a professional writer the first time she sat down to write something without really feeling like it and having no ideas.

In my case, I missed last week because I literally had no energy to do anything after a 60-hour week in the bakery. I wanted to write, I had ideas of what to write about… but the tank was on “E” and I was running on fumes for the downtime I had.

It’s a fairly common situation for folks in my industry right now- the Covid Culinary Brain/Talent Drain has hit everyone, and people are flocking to jobs where the pay is better, benefits more secure, and pockets are deep enough to possibly take care of them through the next crisis. That means that applicants for small Portland pie shops are few and far between, and it’s up to the folks who are there to keep the wheels turning.

I don’t blame anyone for wanting to get out of a field that is effectively lying in the bed of intransigence it made and now dealing with its legendary well of desperate labor suddenly running dry. A lot of my older friends and colleagues are staring down this situation and realizing that “the free market,” capitalism, and truthfully any economic structure looks great until you find yourself on the underside of it.

So why am I not part of this grand exodus? With my skills and experience, I could march into nearly any job fair run by one of those hospitality giants, lay down my resume, and conduct a bidding war for my services. More money, more benefits, fewer responsibilities (at least to start), and a clear career trajectory for rising in their company. Sounds like a no-brainer, so why not go for it?

Because I refuse to waste time working toward what I don’t want.

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Legacies- A Baker Looks At 36

“Voice” in writing is one of those things that’s easy to define but hard to describe. It’s an amalgamation of vocabulary, style, tone, cadence, and rhythm. In other words, all the things used to describe someone’s speaking voice but translated to the page in a way that it comes across through silent letters. Read enough of one person’s work and you’ll start to detect their voice in new works, even if they change the subject matter, style, or context.

Since I’ve started writing books, I’ve had several people tell me they hear my voice in every word. They may not know me in person, or not heard my voice in ages if they do. It’s always the same though- “I really love your voice. Reading your book feels like I’m listening to you talk straight to me.”

That means a lot to me because it means that I’ve created something that accurately represents me and who I am. It means I’ll have left a bit of myself behind when I die.

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