Home Brew

It’s perfectly understandable to me how haunted houses can exist. We have the idea of “ghosts in the machine,” “Artistic DNA,” and omnipresent-but-unspecific “vibes”- why not “ghosts in the interior design?” Ghosts that can follow a person or people from place to place, creating the sense of where they’ve been before, and writing an intangible living atlas in the frontal lobes of Those Who Know.

The house where I was raised is a minimum hour drive away and five-plus years back in time from being swiftly and silently bulldozed. My parents now live in an ivory tower of an apartment, nineteen floors above center city Philadelphia. They brought some of their favorite decor from their old house was well as my Bubba’s similarly-leveled house, and have moved into an apartment roughly a twentieth the size of where we used to all live together.

Ghosts in the decor, then, is the only way I can explain spending a few days in the cluttered but cozy guest room and walking out the door in the morning expecting a staircase to the right. It’s the only way I feel like the living room of the Philadelphia high-rise has a piano and fireplace in it that I can feel but not see in their decor of wood, white, cream, gray, and Judaica.

Everything about our old house is there, tucked under the carpet or back in a closet, felt but not seen until you cross the threshold out to the hall. Then I am most certainly in Philadelphia.

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The Old Men and the Seafood

I started out the door with a simple idea- “Find a place with food and a beer, sit down, do some writing, come home and hide from the sun to edit.” That’s always the plan for at least one of my days off. Brilliant blog posts, scintillating wit, and scathing social criticism don’t just fall out of the sky, you know.

I love my wife, my cat, and my friends very much, but I’ve also had a lot of time (and put a lot of work into) enjoying my own company. That’s why, at some point every weekend and even on vacation, I try to make a point of getting out on my own and putting some pavement under my shoes.

What looks interesting?
What are people talking about?
Where are the workers going on their breaks?
Where are the old men drinking?
Are there cooks out and about? Where are they?

That’s how you hear about the best stuff in any given city. You have to go find it.

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We Don’t Need Permission to Be

The winery where I work has an excellent view. It’s a major selling point as far as our clientele goes- people can look down on the valley over vineyards and woodland while sipping a glass of wine and take it easy. It’s a magnet for photos and set dressing when weddings and celebrations buy out some space.

When I arrive to work early in the morning, that view is usually all mine- but I don’t take advantage of it at all. I have work to do.

That’s no one’s fault but mine, of course. I get in early because that’s when The Baker shows up. I get the most space and most access to the ovens for a limited time before the rest of the kitchen rolls in mid-morning to afternoon, and I need to get to work.

So I show up early, knowing I have work to do, but I always want to walk out on the patio where the guests sit- where I absolutely don’t belong during business hours (and in fact would prefer not to be)- and just soak up that view for a moment. The stillness. The vastness. My smallness. The soothing balm of scale and insignificance to start the day, and keep with me while I obsess over rolls, bites of cake, and bits of chocolate that manage to mean everything to me… and absolutely nothing at all.

I never do, though. I have work to do, and I don’t get paid- OR pay- to enjoy the view.

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A Brief Homecoming

“A man would know the end he goes to, but he cannot know it if he does not turn, and return to his beginning, and hold that beginning in his being. If he would not be a stick whirled and whelmed in the stream, he must be the stream itself, all of it, from its spring to its sinking in the sea.”

― Ursula K. Le Guin, A Wizard of Earthsea

I knew that a lot had changed at my old culinary school before I turned off the Black Horse Pike in Mays Landing into the campus. There were better and brighter signs on the road to the parking lots, for starters. I peeked down drives slowly, trying to remember which lots were for students and faculty and which ones a visitor would go unnoticed in.

The larger one in the back of the campus- now shaded by sun covers that doubled as solar energy panels- fit the bill and it was right near the main entrance that I rarely used as a student. Students always went in a side door near a smaller lot, closer to the majority of the classrooms and kitchens. Not that too many young culinarians still used it. Class sizes apparently plummeted due to COVID and the Culinary Industry Brain Drain. Even coming from a community college, culinary school wasn’t a winning proposition for young people tight on money and prospects. It was a place now for two kinds of students- the passionate, and the lost.

Fortunately, those are exactly the kinds of folks that have kept the industry moving for years. I walked up the wide, low concrete steps and pushed open the door. Rather than noise from busy kitchens and clamoring students in pressed white uniforms, I’m greeted by silence- and the mingled smells of butter, hot fat, flour, bread ovens, and cold vegetables. I can never forget that smell. Some things haven’t changed at all.

Welcome back, Matt.”

The Academy of Culinary Arts
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An Object Lesson in What Matters

I was sitting in the break room at the winery, having just finished my lunch. It was a chilly, sunny day, and the break room has a really nice window that looks out on the terrace, the waterfall feature on the grounds, and beyond that over the valley.

I was debating how to best pull off the rest of the week, crank out a new bread recipe for my chef’s latest special, and what kind of desserts I should do for the seasonal menu change. I was grateful for the distraction. The toxicity of social media around the Israel-Hamas War was still trickling through despite me pulling back. When that many lives and that much culture is on the line and the generational trauma of two entire peoples is simultaneously triggered, there’s too much at stake for it to be managed through TikTok videos, memes, and idiotic flame wars- but here we are.

It made my heart hurt, and my mental health required me backing off, so I’d resolved to do what I’d always done when feeling pained and powerless- feed people, and put good things into the world that weren’t there before.

Then my phone rang. It was my wife, nearly in tears. Life was about to provide an object lesson in Pain, Powerlessness, what we do in the face of it, and the things that mean more than posting “the right things” on social media.

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