It’s Okay To Not Know

The rain is coming down in fits and starts outside. I’ve had to break out my Irish sweater and cloak for the first time this year, but the sky pivots between sunshine and downpour. As it is, I’ve settled for the moment with shedding my cloak, rolling up the sleeves of the sweater, and watching the weather through the window of Holmans. The young bartender calls me “hun” as she fixes up a martini (dirty, extra dry, Beefeater Gin because I’m not trying to be spendy. She tips some extra “Dirty Sue” in there, but I’m alright with it.)

Back to settling in. Back to winding down. Back to being inside, taking stock, and taking a breath.

How’d we manage the summer? How’d we manage the year? How’s it all going? What’s different? What needs to be different?

Sitting where I am, when I am, the confluence of an election in the US, the change of the seasons, the change of weather, and the (Jewish) first anniversary of October 7th isn’t lost on me.

Photo by Hedaetul Islam on Pexels.com
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Diving In To Life and Coming Up For Air

For Whom the Bell Tolls

No man is an island,
Entire of itself.
Each is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manor of thine own
Or of thine friend’s were.
Each man’s death diminishes me,
For I am involved in mankind.
Therefore, send not to know
For whom the bell tolls,
It tolls for thee.

John Donne

sonder
son-der ]
noun
the feeling one has on realizing that every other individual one sees has a life as full and real as one’s own, in which they are the central character and others, including oneself, have secondary or insignificant roles:
In a state of sonder, each of us is at once a hero, a supporting cast member, and an extra in overlapping stories.

Dictionary.com

It’s none of my business why someone is wearing headphones when they are walking around town, what they are or are not listening to, or why they chose to wear gigantic ones that look like a vintage glam version of a Korean War radio setup.

Especially when I take the bus or go to the supermarket, it’s hard not to notice mostly people my age and younger wearing large, studio-style over-the-ear headphones. I imagine they are a lot harder to lose track of than earbuds, might be more comfortable on the inner ear, and avoid the waxy grossness that in-ear headphones face. They might also be more cost-effective compared to earbuds for the time being.

More than anything though, I bet they help with overstimulation in noisy areas and visually broadcast to others “leave me alone.” I can definitely feel the need for that.

I tend to carry a small pair of off-brand earbuds around with me, but I don’t use them nearly as much as you’d think. In fact, except when I’m specifically trying to focus or I’m listening to an audiobook, I like hearing and connecting with what’s around me. Not for any grouchy, holier-than-thou, “put down your phone and touch grass” reasons either. Those opinions and the people who have them irritate me.

It’s because I’m a writer and a storyteller, and to tell good stories you have to learn to listen and find them first.

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Stormy Weather

“The devil whispered in my ear ‘You can’t withstand the storm.’
I whispered back, ‘Big talk from someone who lost their golden fiddle to some rando in Georgia.'”

A brief but loud storm blew through Portland this afternoon. It put the kibosh on my plans to head out and enjoy some beers and sandwiches this afternoon, but if I’m honest that’s alright. I’ve been pretty good with my spending lately, and I don’t want to mess it up over beer and sandwiches that I already know where to get separately. Besides, I’ve been treating myself well lately. A new weight vest for running, trying out a whiskey bar tucked away in a basement in Southeast, showing some of the guys in my run group a food pod they knew about but never visited, and fucking them up for life over a plate of chicken and fried potatoes. Next week, they say, will have to be the french fry truck. My body is ready. Indoctrinating new foodies and being a weird sort of “food concierge” for Portland is one of my favorite parts of going out, meeting people, and talking to strangers.

Tonight, though, I’m ready to take it easy, be still and quiet for a bit, and dive into my writing. I’m finally back to working on the book on training and mentorship that I’d shelved after getting a job that A. Required me to test everything I thought I knew about the topic and B. Eventually drained every speck of creative energy from my body like a copper heat sink. “I’m still learning!” I told myself, “I can’t finish the book yet!” My wife, ever the voice of reason, then pointed out that if it was true I couldn’t write a book until I had full, complete, and absolute knowledge on a subject, there would be no such thing as autobiographies.

Point taken. So I’m back to working on the book, warts and all. You can’t edit a blank page.

As I sat down to write, I looked to my left and saw a little brass incense burner with a tiny cone of sage incense inside. Em and I had received it years ago as part of one of an “itty bitty boxes” of whatever that are sold in bookstores and gift shops. This one was a sage space cleansing kit- a cone of incense, a burner, a fake leather cord to bind some actual sage if you got it, and a book about how to smudge. I didn’t want to appropriate Native American practice, and Judaism has plenty of notions of cleansing, sanctification, and the use of incense. I realized that with this nice new desk, a storm outside, a quiet mood, and a little whiskey on hand, this was the perfect time to “cleanse” the desk and workspace and dedicate it to the craft of writing.

The incense didn’t last terribly long and smelled cheap, but I lit it, said a prayer in Hebrew I half-made up, and here I am writing a blog post. The smell of incense, ozone, whiskey, and my wife making cashew chicken wafts through the room, and everything feels calm and right.

An out-of-focus picture shows an urban street seen through a rainy car window.
Photo by Ave Calvar Martinez on Pexels.com
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Cocktail Talk

Back when I first moved to Portland, I was really only familiar with the West side. It’s where my work was, it was the bustling metropolis half where I figured all in the interesting and cool stuff was, and I never really need to cross the Willamette until I got a job in Southeast. Soon after we moved nearby chasing better rent and livability than the suburban hell of Beaverton could offer.

Back then, I was confused and disappointed by the lack of bars with late hours and wondered where Portlands reputation as a drinking town came from. Unless that was limited to beer geeks with thick glasses, beards and flannel, I hadn’t seen a single bar open past 10pm in marked contrast to the local watering holes I was used to even in the suburbs of Atlantic City.

I’m bellied-up to the bar at Holman’s, a recent revived institution of the Laurelhurst neighborhood in Southeast. Posters proudly proclaim their new operating hours- Noon to 2:30am, Monday through Friday. Saturday and Sunday they open at 8 to snag the weekend brunch crowd, but still stay open till 2:30 in the morning to welcome the folks that don’t need a special meal to justify day drinking (or night, for that matter.)

What am I having? A martini. The classic. The eternal. The classy. The basic. Dry and dirty, stirred, served in a coupe glass with a vermouth wash (I should have specified that I like the vermouth left in. If I want vermouth-scented gin, I’ll ask for it- but I’m not gonna be That Guy who causes problems in local bars.)

I had a martini yesterday too, in another bar across town. This bar, an upscaled dive bar trying to take in the 5pm “drinks and party” crowd, apologized for not serving my martini with a big ice cube and prepared it in a rocks/lowball glass.

The cocktail was fine, but because of the glass I had to drink it quickly. Accident? Intent? Gender politics? The Blood of the Lamb? Who knows why a bartender would serve a martini unasked for in an unorthodox glass?

What has me wondering today, in a filling bar that I may soon abandon for home (where the booze is paid for and pants are optional) is cocktails themselves and why I enjoy (as my sister called it) “classical drinking.”

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