It’s perfectly understandable to me how haunted houses can exist. We have the idea of “ghosts in the machine,” “Artistic DNA,” and omnipresent-but-unspecific “vibes”- why not “ghosts in the interior design?” Ghosts that can follow a person or people from place to place, creating the sense of where they’ve been before, and writing an intangible living atlas in the frontal lobes of Those Who Know.
The house where I was raised is a minimum hour drive away and five-plus years back in time from being swiftly and silently bulldozed. My parents now live in an ivory tower of an apartment, nineteen floors above center city Philadelphia. They brought some of their favorite decor from their old house was well as my Bubba’s similarly-leveled house, and have moved into an apartment roughly a twentieth the size of where we used to all live together.
Ghosts in the decor, then, is the only way I can explain spending a few days in the cluttered but cozy guest room and walking out the door in the morning expecting a staircase to the right. It’s the only way I feel like the living room of the Philadelphia high-rise has a piano and fireplace in it that I can feel but not see in their decor of wood, white, cream, gray, and Judaica.
Everything about our old house is there, tucked under the carpet or back in a closet, felt but not seen until you cross the threshold out to the hall. Then I am most certainly in Philadelphia.
The Black Hat Baker 