Shadows of Loss

Portland is full of tannin shadows, and so are we.

It’s one of those things that you see, appreciate, but don’t know the actual word for until the memory tickles you enough to do a conversational, unspecific Google search. “What is it called when fallen leaves leave imprints on the sidewalk before they are cleared away?” The unsought-for “AI Summary” regurgitated the fact that there was no specific term, or that the term depended on whether they fell on set concrete and left an imprint or if it was set and left a stain from rotting.

As it was, the summary’s “scientific cause” description was adroit and perfect, because I am a sentimental nerd. Tannins are the compounds in leaves that, when they are wet, can leech out into the porous concrete and leave a “shadow” before the leaf itself is swept or blown away. Wine and tea snobs will also appreciate that tannins are the compounds that make their beverage of choice “dry” and crinkle the sides of the tongue, and cause the stains in a teacup. Equally poetic is the fact that consuming tannins too regularly or in high enough concentrations can cause anemia as they prevent the uptake of nutrients and minerals like iron.

For our autumnal purposes, however, “tannin shadow” is perfect because it’s the impact of a loss, left in bitterness. Fall in Portland is rainy and blustery, calling everyone to get cozy and reflect on the year, and the tannin shadows aren’t just on the sidewalk. Sitting in my sweaters and scarves, looking into my dark beers and whiskeys, and staring at patterns in pipe smoke on the back porch, I can’t help but acknowledge the legacies of losses.

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When Last We Left Off…

Hello everyone!

My six-month hiatus did bear some fruit, as the book is at least two chapters closer to being done, but mostly it took some pressure off of me to write every week during a particularly nightmarish wedding season at the winery.

There’s been at least one wedding every single week since May, and it still hasn’t stopped, but the restaurant is winding down a bit with the end of summer and even though our fall offerings and harvest season vibes are on point (if I do say so myself,) autumn in Portland means the rainy season. That means losing a quarter of our dining space- and our diners.

Every weekend of the last six months, I’ve been hoarding every moment I didn’t need to work or think about working like they were the last roll of toilet paper in a bomb shelter, ready to go for the throat of anyone who suggested they might need a few squares because they’re running out of pages in the Twilight series. I made time to write for sure, but energy reserves was another story entirely.

A typewritten page with a poem by Charles Bukowski. It reads:
“air and light and time and space
 
"–you know, I’ve either had a family, a job,
something has always been in the
way
but now
I’ve sold my house, I’ve found this
place, a large studio, you should see the space and
the light.
for the first time in my life I’m going to have
a place and the time to
create."
 
no baby, if you’re going to create
you’re going to create whether you work
16 hours a day in a coal mine
or
you’re going to create in a small room with 3 children
while you’re on
welfare,
you’re going to create with part of your mind and your body blown
away,
you’re going to create blind
crippled
demented,
you’re going to create with a cat crawling up your
back while
the whole city trembles in earthquake, bombardment,
flood and fire.
 
baby, air and light and time and space
have nothing to do with it
and don’t create anything
except maybe a longer life to find
new excuses
for.
 
- Charles Bukowski”
“Excuses, excuses…”
Yeah, I know.
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The Bookworms

“Think not of the books you’ve bought as a ‘to be read’ pile. Instead, think of your bookcase as a wine cellar. You collect books to be read at the right time, the right place, and the right mood.”

– Luc van Donkersgoed

Years ago, one of my relatives indicated the piles of books in his house and told me “Booksellers love Jews, because Jews buy books. Why? Because we’re always the ones that have to remember.” It could also be that we’re historically not that great at sports and needed something to do on the playground.

Photo by Rafael Cosquiere
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We Just Want to Bloom

There’s an older woman who lives in my neighborhood that I see on my walks. We’re not friends really- just familiar NPCs in each others lives. Walking home the other day, she was coming towards me up the sidewalk when she stopped and noticed a small stand of daffodils at the edge of a lawn. The bright yellow flowers were craned down as usual, baring the green shoulders of their stems against the rain beating on our hoods. Fat wet drops of water rain down from behind the petals before making their own small puddles on the sidewalk.

“Look at that” she said, gesturing to the flowers. “Blooming already. The daffodils don’t know it’s cold!”
Without thinking, I said “They know, ma’am- they just don’t care. They never do.”
My elderly NPC made her way up the sidewalk shaking her head, and I turned up the walk to my house. “They just wanna bloom.”

Daffodils bloom very early in the spring, often while it’s still cold and there’s snow on the ground. They also tend to grow near water but in Portland, any sidewalk can be a river if the weather is right. Their heavy craning heads look down over the water, as though they were admiring their reflection. This, along with their audacity of blooming when it’s cold, and a little myth-making merit their family the scientific name of Narcissus.

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Home Brew

It’s perfectly understandable to me how haunted houses can exist. We have the idea of “ghosts in the machine,” “Artistic DNA,” and omnipresent-but-unspecific “vibes”- why not “ghosts in the interior design?” Ghosts that can follow a person or people from place to place, creating the sense of where they’ve been before, and writing an intangible living atlas in the frontal lobes of Those Who Know.

The house where I was raised is a minimum hour drive away and five-plus years back in time from being swiftly and silently bulldozed. My parents now live in an ivory tower of an apartment, nineteen floors above center city Philadelphia. They brought some of their favorite decor from their old house was well as my Bubba’s similarly-leveled house, and have moved into an apartment roughly a twentieth the size of where we used to all live together.

Ghosts in the decor, then, is the only way I can explain spending a few days in the cluttered but cozy guest room and walking out the door in the morning expecting a staircase to the right. It’s the only way I feel like the living room of the Philadelphia high-rise has a piano and fireplace in it that I can feel but not see in their decor of wood, white, cream, gray, and Judaica.

Everything about our old house is there, tucked under the carpet or back in a closet, felt but not seen until you cross the threshold out to the hall. Then I am most certainly in Philadelphia.

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