Life After The Line Part II- A Different Position

When I’m not exhausted beyond reason, furious at pompous bureaucracy and the odious input of “higher ups” that outsource their problem-solving to ChatGPT, I do still in fact love to bake.

I truly do still love making things for people. I love giving my work to others, watching them eat it, knowing their day got better for a moment because of my work, and maybe even teaching others how to do that magic for themselves.

As much as previous cafe jobs put me through, it was always the environment and the management, never the work. Even when I was dragging my ass out of the French bakery at 10am after starting at 2, hoping to find a place that wouldn’t question giving me a post-shift beer over brunch, I loved looking in the display case as I left. I saw everything I’d made that morning, people and kids pressing their noses against the glass at crusty kouign-aman and caneles, and think to myself “I helped make their day start better. It was all worth it.

It took and takes a LOT for me to lose sight of that fact. Fine dining has always been a pleasure of mine and that kind of work- being a pastry chef- is the best way to gain access to good ingredients, new technology, and have excuses to experiment. Your local bakery cafe doesn’t mess around with agar agar (unless they are vegan.) They don’t need a PacoJet, and getting obscure or rare materials is not always a priority- or even in the budget. They’re making delicious breakfast pastries, cookies, and pies- not plated desserts for $15 a hit.

When you set off on a culinary career, it’s good to know what you love about it and find the path that support it. It’s never too late to learn more about yourself and change.

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Between the Mountain and the Sea

“A man would know the end he goes to, but he cannot know it if he does not turn, and return to his beginning, and hold that beginning in his being. If he would not be a stick whirled and whelmed in the stream, he must be the stream itself, all of it, from its spring to its sinking in the sea.”

Ursula K. Le Guin, A Wizard of Earthsea

“And Slid said: “I am the Lord of gliding waters and of foaming waters and of still. I am the Lord of all the waters in the world and all that long streams garner in the hills; but the soul of Slid is in the Sea. Thither goes all that glides upon Earth, and the end of all the rivers is the Sea.”

Excerpt From The Gods of Pegana,
Lord Dunsany

It’s a windy and cold morning on the shore. I’m out walking the beach down by the water, where the tide turns the sand from soft tan to slate gray and my boots leave footprints. It’s easier-going for older people who are out with their dogs. The dogs, for their part, don’t seem to mind the going or the feel of the cold sand; they’re high as kites on all the smells and feeling carried on salt air and the ability to run.

In a few hours, I’ll be on a plane back to Oregon. Back to my wife and cat, our basement apartment up a mountain, and eventually a kitchen that’s felt more like a psych ward the last few months than the serene kind of chaos I want to believe I work in.

Those LeGuin and Dunsany quotes slide through my mind along with “A Pirate Looks at 40.” It feels silly and dramatic and florid, but I don’t really care. Finding a bench on the pier where my grand-uncle once tried to teach me to fish, I could almost cry.

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Making A Menu

When you work in a restaurant with enough backing and fancy enough clientele (or minimal backing and working-class clientele, but you’re the chef-owner with a shtick), menu flips make the tedious bits of the job worth it. After making the same dishes over and over again for months, sometimes beyond the season it even makes sense to keep selling them, doing a little spring cleaning on the menu feels positively invigorating.

This years dessert menu is already selling well, but the core theme of the selection isn’t just “seasonality”. Pick a menu from any restaurant- from the neighborhood diner to the latest Michelin-starred hotspot- and what goes into the menu is just as much about convenience, defensibility, economics, and business sense as any high-minded philosophy about sustainability, slow food, or “decolonizing the diet.” That’s because we don’t just sell food- we sell a night out. We sell a fantasy. We sell pleasure– so we make sure there’s something we can sell to as many people as possible.

What’s your pleasure?
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Finding Our Foodways- Why You Can’t Eat Nostalgia

Go far enough down a rabbit hole, and you’ll find more than Wonderland. No subject or history happens in a vacuum and, if you are curious enough, you’ll find links to people, moments, movements, and concepts you might not have thought possible.

I’m reading an oddly engaging book that is, ostensibly, about a famous sibling rivalry in Battle Creek, Michigan at the dawn of the 20th century. The book is also about American foodways of the time, the history of medicine, and the beliefs of various Christian sects in America- namely the Millerites, the Grahamites, and the Seventh-Day Adventists.

You might think that’s a little far afield for a book on sibling rivalry- until you realize that the brothers in question were Dr. John Harvey and Will Kellogg. Together, they created the “wellness” industry, pioneered the mass production of food… and so helped give 21st-century weirdos something else to obsess over.

A woman in yellow looking with disgust at a single red apple in front of her.
Photo by Engin Akyurt on Pexels.com
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Processing the Parsley- Why The Slow Stupid Way Works

This happens at least once in every kitchen.

A new cook is told to chop leafy herbs, and they are given a cutting board and told to hone their knife. A bunch or two in, the new cook inevitably looks up at the Robo-coup (a.k.a. “Robocop” or “Robo”, a brand name for a heavy-duty professional food processor. Our version of a Cuisinart.)
“This is friggin’ stupid. It would be way faster and more efficient to use the Robo-coup.”

An older cook looks up from their own prep and shakes their head. “Nope, it’s gotta be like this. The food processor doesn’t do it right.”
To the new cook, this sounds like “peeling potatoes builds character” hazing bullshit. As soon as the chef isn’t looking, the new cook has taken down the heavy cube of a machine, affixed the bowl and blade, and is shoving bunches of parsley in while the older cook rolls his eyes, watches, and waits.

The machine IS powerful, and noisy. Chunks of green juice and herb splatter against the clear lid like alien guts while the very-pleased-with-themselves cook watches and uses his “expert opinion” to decide how long is enough. Soon, he tips out the bowl into a container and is about to load another couple of bunches in when the chef’s voice rings out. “The hell do you think you are doing?!”

Young Iron Chef freezes, they don’t understand. The parsley is getting chopped, right? They’re doing their job. They’re doing it faster than everyone else, right? That’s the point, isn’t it? Why are they in trouble? “Chopping the parsley like you said, Chef!”

Photo by Thirdman on Pexels.com
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